![]() ![]() More metal than punk, "Ghost" is a war cry set to energize the band's army of dark-side outcasts and grim basement dwellers. Featured on the 2011 album, "The Devil's Rain," the cut is a Motorhead-influenced full-frontal assault. "Ghost of Frankenstein" is proof that the Misfits aren't only a nostalgia act. Their logo has an enduring ubiquity, they're still namechecked by metal's elite and the modern-day band's shifting lineups has at various times included former members of both the Ramones and Black Flag. After all these years, the Misfits' legacy still stalks popular culture. Praising a song by the post-Glenn Danzig version of the Misfits might be an easy way to elicit a slasher-flick scream.īut even without their brooding, muscle-bound frontman at the helm, the Misfits have continued to fly the flag that celebrates the group's unique blend of punk and metal with an overdose of Universal horror-movie imagery. Today, Cooper continues to tour on the oldies circuit and hosts a radio show, a fate that any young entertainer might have nightmares about. The onset of the grunge era and Cooper's anemic new material scared away many fans, particularly new ones, permanently. Unfortunately for him, Cooper's career revival was short lived. All these years later, Cooper's appearance is an artifact of the age's misplaced perspectives. On top of this came Cooper's well-received cameo in Mike Myers' "Wayne's World," which gave the singer some momentary relevance again. The song, a cover of a British hard-rock ditty, was an attempt to give Cooper's sluggish career a jolt of electricity. No longer popularly seen as the made-up deviant corrupting the young with salacious heavy rock songs and scandalous onstage antics, Cooper was well on the road to being a hard-rock elder statesman. "Feed My Frankenstein" came in the middle period of his career and at a point where his cultural cache was on the wane. When released and slotted in a radio DJ's playlist next to Motley Crue or Aerosmith, "Feed My Frankenstein" perfectly keeps to format.įor Cooper, this was the plan. The chugging riffs, squiggly guitar effects and note-splaying solo align with "Headbangers Ball" best practices. Polished and cleanly produced, "Feed My Frankenstein" is a well-designed sample of early '90s heavy metal. What a shock! Pop music's original shock rocker surprised audiences in 1992 with a paint-by-numbers musical favorite. So, here’s my list - if you’re not too scared to look - in no particular order: So although music has more than its fair share of songs dedicated to those villainous nosferatu, there are still many excellent and largely overlooked tunes dedicated to Frankenstein or what the monster has come to represent for pop audiences.Īs a favor for those horror aficionados out there, here are a few Frankenstein-inspired songs that are worth adding to your playlist in time for the costume parties and trick-or-treating to come. And while there's many more movies and leading roles for all those photogenic vampires, some performers have gravitated to the monster's role because of the pathos it allows. (Even in those team-up movies or cartoons, Dracula is usually the leader of the troupe and Frankenstein is the enforcer.)īut let's not forget how Boris Karloff's star-making performance in the 1931 film outshone Bela Lugoisi's version of the count. Sure, seducing and sucking blood in a sexy cape or sporting hair, claws and fangs when the Moon is full give you a little more to do than hulking around as a mindless brute. Author Mary Shelley's gothic creation long ago became a classic - in literature and film - and along with Dracula, werewolves and ghosts, has become a spokesmodel for the Halloween season.Īnd yet, the Frankenstein monster has largely been eclipsed in popular culture by other more alluring, expressive characters among the legions of the undead. Look for one or more sentences or phrases that capture these elements and test them out on your classmates or colleagues.Poor Frankenstein. You won’t always be creating the message in some cases you may be asked to summarize someone else’s written or verbal message, such as an interview, with a quote or a sound bite. Your goal when writing a sound bite or quote is to make sure your idea represents all four characteristics. Here are four characteristics of effective sound bites: Soundbites: A business guide for working with the media. By preparing your sound bites, you help control the interpretation of your message. If you can provide a clear sound bite or quote, it is more likely to get picked up and repeated, reinforcing your message. Whether you are writing a document, preparing a presentation, or both, you will want to consider how others will summarize your main point. ![]()
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